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July 2017

I really love the idea of your visual novel, it's looking good. When are you planning launching it? And also i wanted to ask, if i may ask, how do you do the blurry background for the scenes?

I’m not sure when I’ll release it since I’m just kind of doing it little by little in my spare time. Right now it’s still in a very rough state to be honest.

As for doing the blurry backgrounds, you just take a photo and then use a photo editing program to apply a filter. 

Jul 25, 2017 4 notes
#zenytalk #milesredpanda
Jul 23, 2017 83 notes
Jul 23, 2017 83 notes
#zenydraws #kemono #werewolf hostclub
Jul 23, 2017 104 notes
Jul 21, 2017 34 notes
#zenydraws #kemono
any tips on making a visual novel? me and a friend are thinking of piecing one together since we have a few characters lying around with no story

The best thing I can tell you is to just make a bunch of placeholder doodle sprites and make random scenes no matter how goofy. It’ll eventually start coming together. 

Jul 19, 2017 4 notes
#zenytalk #Anonymous
what programs are you using for your werewolf hostclub dating sim?

Tyrano Builder! 

Jul 19, 2017 9 notes
#zenytalk #Anonymous
Yo, your contact page has a link to your *previous* twitter handle. You changed it for zenytalk.

Oh, I forgot about that. Thanks for reminding me, I’ll fix that soon. 

Jul 19, 2017 4 notes
#zenytalk #Anonymous
Jul 18, 2017 103 notes
#zenydraws #kemono
hey, i've started on learning a language recently, specifically korean. do you have any advice in learning a language that helped you that could help me as well? (i do practice daily on both reading and speaking in the language)

Firstly, motivation is super important. Every language learner, like artists, will hit a wall and burn out. They’ll feel like they’re not learning anything new, but that’s part of the process. My favorite method to employ so I don’t get burned out as easily is the Pomodoro Method

Otherwise, just keep doing what you’re doing consistently. Once you build up enough vocabulary and grammar, find interesting material in your target language and read it. If the material comes with audio and a transcript, even better. Even if you don’t understand anything, you’ll start to notice that the most important words and grammatical points will repeat. Make note those repetitions and then look them up later. 

As for learning vocabulary by itself many people use SRS (space repetition systems). They’re basically digital flashcards. Most people use Anki for desktop or Memrise on one’s browser or phone. 

Hope that helps a bit!

Cheers!

Jul 17, 2017 14 notes
#zenytalk #rabbitdicks
Do you know about something that gives ideas about what to draw? Lately I've been dry on inspiration, mostly copying from reference.

Usually I just brute force my way through by drawing even if I hate how it looks. Sometimes, changing my usual tools or brush settings really helps. Trying something new generally helps kickstart the mood. I know that’s not a lot, but I hope that helps even if just a little bit.

That said, if you’re looking for random prompts, try Shindanmaker. There’s a bunch of ‘em!

https://en.shindanmaker.com/c/list?mode=tag&tag=Drawing

Best of luck!

Jul 17, 2017 5 notes
#zenytalk #Anonymous
Jul 16, 2017 169 notes
#zenydraws #kemono #Morenatsu #Shun Kodori
Which Housamo boy is T H E G O O D E S T B O Y?

Cusith!

Jul 16, 2017 8 notes
#zenytalk #icywintertree
Wait you have a vn?

It’s something I’m slowly working on in my spare time 

Jul 12, 2017 5 notes
#Anonymous
Will there be NSFW aspects to your VN?

It’ll be mostly SFW. I’m not really too big on sex scenes in visual novels and I wanna focus more on cute fluff stuff instead. 

Jul 12, 2017 12 notes
#zenytalk #Anonymous
PSA

If anyone’s in the market for a screen tablet/cintiq alternative, Monoprice has theirs aggressively discounted for the week

https://www.monoprice.com/Product?p_id=14481 

Jul 11, 2017 520 notes
#zenytalk
Jul 11, 2017 129 notes
#zenydraws #kemono
@ last anon

At the last anon who sent me the ask about pursuing your passion: I’m sorry I accidentally deleted the post but I saw it and just want you to know I wish you the best of luck!!!

Jul 11, 2017 6 notes
Jul 8, 2017 16 notes
#Space Brothers #Uchuu Kyoudai

thefortressofscience:

samael:

dragonbelliez:

I see a lot of posts on here about beginner artists (and it may be ironic that I’m talking about them, being that my art is nowhere near good but I wouldn’t call myself a beginner in any sense, anyways;) needing to learn to just practice, and while I do definitely agree I don’t think they’re necessarily taking the right approach.

Practice, practice, practice and saying nothing but that is only going to help motivate a certain group of people, and I wouldn’t say most beginner artists. I think there needs to be more posts about mindsets and ways to make practicing fun and take some of the repetition out of it, rather than just telling them to deal with it. Why aren’t there more posts about things to do to help practice, or etc;? I’m somewhat doubting that there’s a high amount of people who think they can get better without practice, they just need something to help keep the practice interesting.

Just my two (unwanted) cents, ahaha. 

I guess cos its relatively easy to say practice since it simplifies it. It never helped me a lot to just have that because I have issues with self direction and I feel like I’m not doing things right because after ten years, my work is still generally unambitious and flukey. the practice is the baseline part, only knowing you’ll get better if you keep at it but its miserable to just know you’ll eventually be better and not see improvements in the meantime; you can’t see how big the storm is from the middle of it.

what I’d say is draw fast, draw often, and don’t care how bad it looks at any particular time when you’re not on the clock as it were. just do not give a shit about how bad it looks because you will only hurt. you will hurt sometimes anyway even if you’re trying not to care. justify the fact it looks kinda eh because you’re going fast. know that the next picture will be a little better. draw stupid things that make you happy, even if its just laughing at how bad you’re doing. draw your own characters a thousand times because you know their shapes best from the model-sheet you hold in your head. draw faces. draw hands. draw circles. draw squiggles. draw bad and fast and be excited even if you don’t think you’re drawing well.

And then, if you want to do more than that, if you feel up to it… Erase. Hammer Ctrl Z. Delete, discard, redraw. Anything can be destroyed. Everything can be torn apart. Hell, don’t even do that - just draw over it. Ink it in, scribble the lines over til they’re solid blocks, pick your favourite curves and edges. And don’t feel bad. You’ve done it before and starting is always the hardest part. You’ve cut a path through the thicket as fast and as hard as you could and its as rough as shit but you know if that path is worth taking, if you’re happy with where it’s going, you can pick up a shovel and start laying down the road. Draw fast and bad and as excited as you can be and fix it when you feel like it.

Also, study a bit, even if just to see how things look. Take other peoples work and trace shapes over it, see what other people are using as their building blocks. Style is personal answers to questions of how do I do this in art and we pick it up handy solutions from everyone we know and everything we see. If a particular answer isn’t working for you, if its gone as far as you feel it could, find out someone else answer - look at artists work, look up tutorials or just talk to other artists. For ages, I used dodge and burn in photoshop. It looked like ass; it gave muddy colours because I didn’t really know anything about brush settings or how to keep colour, effectively, inside lines - until I found out you could lock brushes to existing pixels on a layer and I started to paint manually. Experiment too - manually blocking colours in was a drag, but then I found out about the magic wand tool. Then I could select areas inside my inking if they were closed up. Then one day I realised I could select the OUTSIDE of my inking, hit Inverse Selection and bam, whole thing selected. The time it took to work dropped even lower and the faster it got, the more I could do, and the more bad drawings I could get out of my way to getting to where I wanted to be.

Oh and life drawing is a bit helpful but looking up photo reference material so you can see how people pose is good, too. I still haven’t figured out how to draw someone sitting down cos fuckin’ foreshortening but it helps still!

I want to chime in the key nuance those kinds of comics miss is that it isn’t enough to just practice. Yes, as a rule of thumb, putting in your metaphorical 10,000 hours will improve your skillset but that’s not the complete picture. What these comics fail to mention is focused practice. The quickest way to improve any skill, whether it’s drawing, learning a language, or what have you is to pick a focus and target that for a while. Do your research, and then get to work practicing your approach. Same goes for any artistic subskill. For example:

Vague goal: “I want to get better at art”

Better, more defined goal: “I want to improve controlling my line weights when inking” is much better. It’s clear and straight to the point. Now make a game plan around it and dedicate some time every day to practice that. 

This is why art school students usually improve within the 4 or so years they study by the way. They’re not doing anything you can’t do on your own, but their professors guide them and hold them accountable to produce results that demonstrate they learned the lessons well. Good art professors will define the class rubric and dedicate chunks of time (or an entire class) to a specific skill and the students have to do it. A self learning artist just needs to take it into their own hands and do it themselves. It’s a bit harder, but totally do-able! 

TL;DR: Practice is good, focused practice with specific and well defined goals is even better. 

If it helps, I found this concise article to be helpful

As for staying focused and motivated during sessions, I’m quite a fan of the Pomodoro Technique

Jul 6, 2017 116 notes

who else remembers fukai mori (inuyasha ed 2) being a central part to their weeb phase 

Jul 6, 2017 35 notes
#zenytalk

samael:

dragonbelliez:

I see a lot of posts on here about beginner artists (and it may be ironic that I’m talking about them, being that my art is nowhere near good but I wouldn’t call myself a beginner in any sense, anyways;) needing to learn to just practice, and while I do definitely agree I don’t think they’re necessarily taking the right approach.

Practice, practice, practice and saying nothing but that is only going to help motivate a certain group of people, and I wouldn’t say most beginner artists. I think there needs to be more posts about mindsets and ways to make practicing fun and take some of the repetition out of it, rather than just telling them to deal with it. Why aren’t there more posts about things to do to help practice, or etc;? I’m somewhat doubting that there’s a high amount of people who think they can get better without practice, they just need something to help keep the practice interesting.

Just my two (unwanted) cents, ahaha. 

I guess cos its relatively easy to say practice since it simplifies it. It never helped me a lot to just have that because I have issues with self direction and I feel like I’m not doing things right because after ten years, my work is still generally unambitious and flukey. the practice is the baseline part, only knowing you’ll get better if you keep at it but its miserable to just know you’ll eventually be better and not see improvements in the meantime; you can’t see how big the storm is from the middle of it.

what I’d say is draw fast, draw often, and don’t care how bad it looks at any particular time when you’re not on the clock as it were. just do not give a shit about how bad it looks because you will only hurt. you will hurt sometimes anyway even if you’re trying not to care. justify the fact it looks kinda eh because you’re going fast. know that the next picture will be a little better. draw stupid things that make you happy, even if its just laughing at how bad you’re doing. draw your own characters a thousand times because you know their shapes best from the model-sheet you hold in your head. draw faces. draw hands. draw circles. draw squiggles. draw bad and fast and be excited even if you don’t think you’re drawing well.

And then, if you want to do more than that, if you feel up to it… Erase. Hammer Ctrl Z. Delete, discard, redraw. Anything can be destroyed. Everything can be torn apart. Hell, don’t even do that - just draw over it. Ink it in, scribble the lines over til they’re solid blocks, pick your favourite curves and edges. And don’t feel bad. You’ve done it before and starting is always the hardest part. You’ve cut a path through the thicket as fast and as hard as you could and its as rough as shit but you know if that path is worth taking, if you’re happy with where it’s going, you can pick up a shovel and start laying down the road. Draw fast and bad and as excited as you can be and fix it when you feel like it.

Also, study a bit, even if just to see how things look. Take other peoples work and trace shapes over it, see what other people are using as their building blocks. Style is personal answers to questions of how do I do this in art and we pick it up handy solutions from everyone we know and everything we see. If a particular answer isn’t working for you, if its gone as far as you feel it could, find out someone else answer - look at artists work, look up tutorials or just talk to other artists. For ages, I used dodge and burn in photoshop. It looked like ass; it gave muddy colours because I didn’t really know anything about brush settings or how to keep colour, effectively, inside lines - until I found out you could lock brushes to existing pixels on a layer and I started to paint manually. Experiment too - manually blocking colours in was a drag, but then I found out about the magic wand tool. Then I could select areas inside my inking if they were closed up. Then one day I realised I could select the OUTSIDE of my inking, hit Inverse Selection and bam, whole thing selected. The time it took to work dropped even lower and the faster it got, the more I could do, and the more bad drawings I could get out of my way to getting to where I wanted to be.

Oh and life drawing is a bit helpful but looking up photo reference material so you can see how people pose is good, too. I still haven’t figured out how to draw someone sitting down cos fuckin’ foreshortening but it helps still!

I want to chime in the key nuance those kinds of comics miss is that it isn’t enough to just practice. Yes, as a rule of thumb, putting in your metaphorical 10,000 hours will improve your skillset but that’s not the complete picture. What these comics fail to mention is focused practice. The quickest way to improve any skill, whether it’s drawing, learning a language, or what have you is to pick a focus and target that for a while. Do your research, and then get to work practicing your approach. Same goes for any artistic subskill. For example:

Vague goal: “I want to get better at art”

Better, more defined goal: “I want to improve controlling my line weights when inking” is much better. It’s clear and straight to the point. Now make a game plan around it and dedicate some time every day to practice that. 

This is why art school students usually improve within the 4 or so years they study by the way. They’re not doing anything you can’t do on your own, but their professors guide them and hold them accountable to produce results that demonstrate they learned the lessons well. Good art professors will define the class rubric and dedicate chunks of time (or an entire class) to a specific skill and the students have to do it. A self learning artist just needs to take it into their own hands and do it themselves. It’s a bit harder, but totally do-able! 

TL;DR: Practice is good, focused practice with specific and well defined goals is even better. 

If it helps, I found this concise article to be helpful

As for staying focused and motivated during sessions, I’m quite a fan of the Pomodoro Technique

Jul 6, 2017 116 notes
#zenytalk
Could bowser be bigger??

It’s a possibility always worth entertaining

Jul 5, 2017 55 notes

WOLFRUN IS….(sweating and fumbling my notes) One of the,, The Top 5 Furry Twink’s 

Jul 4, 2017 101 notes
#zenytalk
Jul 4, 2017 189 notes
#zenydraws #kemono
Play
Jul 3, 2017 97 notes
Play
Jul 3, 2017 97 notes
#werewolf hostclub
I absolutely love how you draw bowser. Huge bf

A round cutie indeed!

Jul 3, 2017 21 notes
Jul 2, 2017 426 notes
#zenydraws #kemono
Jul 1, 2017 34 notes
#zenytalk

June 2017

Does vinny like being in wolf form on dates

Of course!

Jun 30, 2017 14 notes
#zenytalk #djscoots10
can ash just go on a date with me?? he looks so soft and handsome. 100% great boyfriend material

He is VERY soft. You know how warm clothes fresh out the dryer and fabric softened feel like? That’s how he feels to hug. 

(Vinny too tho)

Jun 30, 2017 16 notes
#zenytalk #delectablycasualunicorn
Jun 29, 2017 316 notes
how's it goin' over there in the east

It’s going alright. Nothing exciting atm.

Jun 29, 2017 3 notes
Jun 29, 2017 316 notes
#zenydraws #kemono
Jun 28, 2017 379 notes
#Bringing this back cuz im in an Ashe mood #my big sensitive boy
Jun 27, 2017 33 notes
#art by others
Jun 26, 2017 98 notes
#zenydraws #kemono
Vinnys just the perfect boy??? Just outrageously perfect and desirable as a boyfriend.

And fluffy! Don’t forget fluffy!

(Thanks!)

Jun 26, 2017 81 notes
#zenytalk #catswipe #kemono #ive been using this as my icon for my japanese twitter
Jun 25, 2017 71 notes
あなたは大きくてハンサムです

どうも。

Jun 25, 2017 6 notes
#Anonymous
しゅみはなんですか

ケモノ絵を描くです。

Jun 25, 2017 3 notes
#zenytalk #Anonymous
I kiss both versions of Zeny. He's a good boy

He is a good boy!

Jun 25, 2017 6 notes
#zenytalk #Anonymous
Jun 25, 2017 71 notes
#Zenydraws #Werewolf Hostclub #Kemono

khatoblepas replied to your post: why is stabbing a werewolf with silver considered…

It’s implied they aren’t hurt if you stab them with anything else. Like a steel knife would just bend if you stabbed them with it.

thats why nothing else hurts me…

Jun 24, 2017 5 notes
#khatoblepas
i never liked the silver weakness thing, to me it just nothing too special. i feel like werewolves don't really HAVE a weakness

There’s literally no downside to being a werewolf 

Jun 24, 2017 17 notes
#zenytalk #scalerclaw

why is stabbing a werewolf with silver considered a weakness when even normal ass humans will fuckin die from being stabbed by anything 

Jun 24, 2017 31 notes
#zenytalk
Animation question

mcthundergoose:

thefortressofscience:

I’ve been on a 90s anime rewatch binge the last few months and wondered something. Can anyone explain why it’s kind of blurry? Is it an intentional stylistic choice, resolution, or some sort of limitation? Here’s what I mean:

The top one is most obvious, but the bottom one has it too but more subtly. I kind of like it? It looks really cool to me, but I want to know from more animation savvy folk why it happens. Thanks in advance! 

Cell animation on film! There’s a variety of reasons why the image could be softer/grainier, from film stock used (TV series most commonly used 16mm while movies/higher end productions used the 35mm cinema standard) to how the scene in question was lit. Anime (and animation in general these days) do not look like this because they’re an all digital workflow and never make it to film.

That’s interesting! Thanks! 

Jun 23, 2017 94 notes
Animation question

I’ve been on a 90s anime rewatch binge the last few months and wondered something. Can anyone explain why it’s kind of blurry? Is it an intentional stylistic choice, resolution, or some sort of limitation? Here’s what I mean:

The top one is most obvious, but the bottom one has it too but more subtly. I kind of like it? It looks really cool to me, but I want to know from more animation savvy folk why it happens. Thanks in advance! 

Jun 23, 2017 94 notes
#zenytalk
Play
0:16
Jun 19, 2017 55 notes
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